BEAUTIFYING MOSQUES, ENHANCING WORSHIP: THE FIQH PERSPECTIVE OF FOUR MADHHABS AND MUHAMMAD IQBAL'S AESTHETIC CONCEPT
DOI:
https://doi.org/10.35719/aladalah.v26i2.372Muslims recognize the significance of mosques as sites of worship and as centers for their religious and other activities. Various efforts are organized and designed to make mosques relevant to cultural changes and the needs of Muslims. Mosque buildings are often not identical in each region and nation, with different customs and cultures, and are sometimes even similar to other religions. In addition, the temptation of capitalism also raises questions about mosque designs that are overly grand and problematic for the socio-economic life of the community. This article aims to interrogate whether such a well-built mosque is permissible from the perspective of scholars of the four madhhabs of fiqh and the aesthetics of Muhammad Iqbal. Thus, this research uses descriptive-interpretive and textual methods to scrutinize fiqh views and analyze Iqbal's aesthetic perspective on the mosque building. The study revealed that the four madhhabs allow decorations on mosque buildings so that the mosque remains the principal place of worship and does not inconvenience the solemnity of the congregation's prayers. Furthermore, the mosque's decoration, ornamentation, design, and construction must provide meaningful objectives with practical usefulness and philosophical value; otherwise, for Iqbal, decorating a mosque in excess is wasteful and unavailing, and embellishing a mosque means squandering time and money.
Downloads
References
Ahmed, Hatem. "Utilizing Islamic Geometric Abstraction Aesthetics in Creating Designs for Mosque Architectural Decoration." International Design Journal 12, Issue 5 (2022): 302-291. DOI:10.21608/idj.2022.261006.
al-Dasuqi, Muhammad. Hasyiat al-Dasuqi ’Ala al-Syarh al-Kabir. Beirut: Dar al-Fikr, 1998. vol. 1. https://shamela.ws/book/21604.
Alimuddin, and Aswar. "Design of Interior Estetic Elements of the Mosque Ornaments Based on Local Arivity of Bugis Tribe." Proceeding of International Conference on Science and Advanced Technology (ICSAT), The 9th Edition (2020): 1671-1685. https://ojs.unm.ac.id/icsat/article/view/18908.
Erzen, Jale Nejdet. "Reading Mosques: Meaning and Architecture in Islam." The Journal of Aesthetics and Art Criticism 69, Issue 1 (2011): 125–131. DOI: 10.1111/j.1540-6245.2010.01453.x.
Handryant, Aisyah Nur. Masjid sebagai Pusat Pengembangan Masyarakat: Integrasi Konsep Habluminallah, Habluminannas, dan Habluminal’alam. Malang: UIN Maliki Press, 2010.
Hendri, Zulfi. "Unity in Diversity: Harmony in the Decoration of the Muhammad Cheng Hoo Purbalingga Mosque Buildings, Central Java, Indonesia." International Journal of Multidisciplinary and Current Educational Research (IJMCER) 4, Issue 3 (2022): 83-101. https://www.ijmcer.com/wp-content/uploads/2022/06/IJMCER_10430830101.pdf.
ibn Abidin, Muhammad Amin al-Syahir. Qurratu ’Uyun al-Akhyar: Takmilatu Radd al-Mukhtar ’Ala al-Dur al-Muchtar Syarhu Tanwiru al-Abshar. Beirut: Dar al-Kutub al-Ilmiyah, 1992. Vol. 1. shamela.ws/book/918.
Idris, Mansour. Kasysyaf al-Qina’ 'an Matni al-Iqna'. Riyadh: Maktabat an-Nashr al-Haditsat, 1968. Vol. 2. https://shamela.ws/book/21642.
Khoiri, Miftahul. "Masjid al-Ikhlas sebagai Pusat Budaya Keagamaan Islam Masyarakat Tempel, Caturtunggal, Depok, Sleman, Yogyakarta." JUSPI: Jurnal Sejarah Peradaban Islam 3, no. 2 (2020): 195-203. DOI: 10.30829/juspi.v3i2.6390.
Lubis, Dini Kusumandari. “Hakekat Manusia Menurut Muhammad Iqbal dan Kahlil Gibran.” Al-Hikmah: Jurnal Theosofi dan Peradaban Islam 4, no. 1 (2022): 112-128. DOI: 10.51900/alhikmah.v4i1.12535.
Masridin, Mohd Hanif, and Alice Sabrina Ismail. "Critical Regionalism Approach for Djami Mosque Design towards the Aesthetics of Sustainability." Journal of Islamic Architecture 7, no. 2 (2022): 220-232. DOI: 10.18860/jia.v7i2.17135.
Masykur, Muhammad Riduwan, and Achmad Khudori Soleh.“Seni Pegelaran Wayang Dalam Perspektif Fikih dan Spiritualitas Seni Islam Seyyed Hossein Nasr.” Muslim Heritage 8, no. 1 (2023): 103-114. DOI: 10.21154/muslimheritage.v8i1.5985.
Ministry of Waqf Government of Kuwait. Al-Mawsu’ah al-Fiqhiyah al-Kuwaitiyah, Vol. 37. Kuwait: Ministry of Waqf Government of Kuwait, 1980.
Mitias, Michael H., and Abdullah Al Jasmi. "Form and Function in the Congregational Mosque." Estetika: The Central European Journal of Aesthetics 55, Issue: 1 (2018): 25-44. DOI: 10.33134/eeja.169.
Mulyana, Yusup, and Rezza Fauzi Muhammad Fahmi. "Aesthetic the Grand Mosque of Cimahi." Jurnal Riset Agama 3, no. 1 (2023): 192-208. DOI: 10.15575/jra.v3i1.23516.
Pattiroy, Ahmad. “Gagasan tentang Seni Islam Sisi Falsafah Muhamad Iqbal.” Hermeneia 4, no. 2 (2005): 1-20. https://digilib.uin-suka.ac.id/id/eprint/8472/.
Pratomo, Gilang, Kamal Abdullah Arif, and Enrico Nirwan Histanto. "Kajian Estetika Masjid Salman ITB Ditinjau dari Struktur." Risa: Riset Arsitektur 7, no. 2 (2023): 212-227. DOI: 10.26593/risa.v7i02.6607.212-227.
Putra, Ahmad, and Prasetio Rumondor. “Eksistensi Masjid di Era Rasulullah dan Era Millenial.” Tasamuh 17, no. 1 (2019): 245-264. DOI: 10.20414/tasamuh.v17i1.1218.
Said, Bousmaha, Samia Chergui, Mustapha Cheikh Zouaoui. "An Assessment of the Aesthetic Value of the Islamic University Mosque in Constantine." Journal of Islamic Architecture 5, no. 3 (2019): 119-128. DOI: 10.18860/jia.v5i3.4622.
Shahen, Sohila. "Aesthetic Values of Islamic Ornament at al-Aqsa Mosque as an Input for the Development of Contemporary Decorative Designs." Journal of Architecture, Art & Humanistic Science 1, no. 1 (2016): 246-263. DOI: 10.12816/0036523.
Soleh, A. Khudori. “Konsep Seni dan Keindahan M. Iqbal.” El-Harakah 10, no. 1 (2008): 1-12. DOI: 10.18860/el.v10i1.4595.
Sumarjo, Yakob. Filsafat Seni. Bandung: Penerbit ITB, 2000).
Zaman, Saefu. “Pemaknaan Ruang pada Masjid Kubah Emas: Kajian Semiotik Ruang.” Paradigma: Jurnal Kajian Budaya 7, no. 2 (2018): 171–181. DOI: 10.17510/paradigma.v7i2.171.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Mohamad Zakky Ubaid Ermawan, Ahmad Khudori Soleh, Mohammad Fadil Akbar Islamy
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This work is licensed under a Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).